Wednesday, July 6, 2011

Ode to "Chhaad"


Childhood, I have heard many a time, is the sweetest and most beautiful phase of one’s life. Being barely out of my teenage years and having the whole journey of life left, I can hardly pass my verdict on that one. However, a few places that are intrinsically linked to my childhood, and have lost their aura now, do prove to a certain extent that the cliched concept may actually be true.

Chhaad - the place where dreams soared and laughter echoed, followed by the pitter patter of a dozen feet. We, namely the 'children' had  unlimited access to this hallowed precinct, specially  during the 'play hours' in the evening. By a certain unwritten directive, no adult was allowed to trespass while we played. Its amazing how we always had these few hours to look forward to everyday and irrespective of the harsh weather, none of us ever failed to turn up. It was a routine we never broke.

The Chhaad has seen and preserved many beautiful memories. Cricket was something that was initially played downstairs, for obvious reasons, but a certain unfortunate(and allegedly lethal) incident involving a deuce ball and shattering of window panes, compelled us to move our favorite game to the ছাদ. Desperate times call for desperate measures and we had to make a few changes in the rules. For example, we made underarm bowling compulsory, while fours were the only boundary we could hit. Sixes meant the ball flying over the compound wall of the Chhaad, and so they had to be eliminated completely. the wicket was a thin orange line drawn on the white door with a piece of brick. i think we had more fun with our humble arrangements than the para dada -s who were privileged enough to play in a field.

Another popular game that we played and that i'm sure, very few kids have actually heard of,
" khoi doi laban chus goji” remarkably complex game, with two villains namely "bansh" and "konchi". Two pairs of parallel lines running horizontally and vertically , divided the whole chhaad into four large squares, each representing a 'food' room. the most important was 'laban' or the salt room, without entering into which you cannot complete the game. the villains were confined to the area that these lines bordered-they had no access to the rooms. only when the other players passed from one room to another, the villains had to stretch their arms and catch them. this is a the general layout of the game, there were a thousand other rules and regulations and it took us more than a month to fully comprehend the gist of the game. it was a game we enjoyed whole heartedly, and played with utmost dedication-whether we were general players or the villains. the game, I later heard is a well known one in our villages, and has greater social implications. khoi with doi is a staple food, but no matter how hungry you are, salt or laban is the most important spice. hence the significance of the salt room in the game. pretty intriguing, isnt it?

We had seasonal games like badminton in winter and football in the rainy season. we also had something called 'go statue' which we played only when we were tired at the end of the evening. And occasionally we had our most eventful dramas and the chhaad as usual was witness to the hilarious but dedicated rehearsals. 

One thing that i cant help pointing out at this point, is how happy and determined we were in what we did in those 3 hours. We loved the chhaad and each other and most importantly, the present day. Our minds were not suffocated with threatening thoughts of the future and the only confusing decision we had to take was what game to play the next day. The chhaad lies quiet and forlorn these days, with all of us having grown up. This is an ode to the most beloved place of my childhood, the chhaad where we learned to love and live. 


Tuesday, June 21, 2011

Names and onomatopoeia

My dictionary says onomatopoeia is the fact of words containing sounds similar to the noise they describe, for example hiss or thud. of course, being the quintessential thick head that i am, i could not recollect what sound words are technically called. No matter how strongly i clenched my fists to cast my memory back to the pages of an elementary grammar book, 'nym' of 'homonym' kept on moving round in circles, distracting me from thinking clearly; when a friend , who, incidentally, will feature in the latter part of this article, rescued me from the whirlpool and enlighned me about the existence of 'onomatopoeia'. But that's another story. I introduce my readers to the purpose of this blog entry- which is to extend the concept of onomatopoeia to names of friends. 'Sounds' weird?


Just think of the word 'Rohini'-erase all images of her, if you know her, because those will be a distraction here. Just extricate the name. Ro-hi-ni. The way i pronounce it, the name has a sliding effect. 'Ro' is huge and rolling-t gradually slopes downward into a timid 'ni', with no separate emphasis on 'hi'. This sliding effect, as i christened it, reminds me of the rise and fall of pitch in music. Think of the waves you find in a 'media player' visualization when you play ' All my bags are packed...'. 'Ro' is the rising limb till 'bags' and 'hini' together falls from 'bags' to 'are packed'.

Another name which is similar is 'Pranav'. It too is a wave, but a sharper and more abrupt one. It's a distinct rise and a straight fall. Unlike 'Rohini', which is soft, soothing music, 'Pranav' has two rigid beats.

'Sanjeeta' is also onomatopoeic, but not musical. It's a name that reminds me of a kid standing in the middle of nowhere, calling out into the bleak horizon to create echoes. 'He-lll-ooo-ww', he screams, his lips openeing and gradually shutting like petals. The point notable here is that the short 'He' int he beginning doesn't take part in the echo-making. It is a starting push-a stimulator to the rest of the rolling word. You pronounce 'sanjeeta' the same way: 'san-jeee-tahh.' Like 'He' in echoed 'Hello', 'san' here also serves the same purpose. 'Devpriyo' also has that short beginning punch as 'Dev'. But you can't pronounce 'priyo' to produce echoes. it is 'tough' and 'strong' like 'pranav', although there's a slight tripping over at 'iyo'.

It is ironic how masculine names are turning out to be less musical and more aggressive that girls' names. However there are always exceptions. Take "Angshuman", for example. Find a more lyrical name for a guy, and I'll eat my words. It has everything- the beats, the rhythm, even the echo-producing quality if you stretch the middle 'shu'. It is also the first name in this entry that is absolutely symmetrical in sound-a perfect wave.

I think all names come with a sound. Some maybe really complex and polyphonic like 'yajnaseni',and there are simopler ones, which remind you of the furious bang of a door('snaket' and 'nirban') or the swish os a magic wand ('isha', 'toshali' and 'dishari'). names, irrespective of the person they belong to, create symphonies, and if you, like me, have nothing better to do, catching those veiled sounds can be a interesting pastime. :-)



Tuesday, January 18, 2011

The Demands of Future...

I close my eyes tight shut
To block the thoughts away-
They close in around me insidiously;
The future lies before me
Heaped with happiness and love and gifts,
He stretches his arms,
Welcomes,lures, flatters,pulls;
(But) Beneath his decorative veil
Are drops of silent mockery
And maps of calculated deceit
And a hideous game of hide and seek.
Life gets baffling, choking me
Emotions and passions ooze out unhindered.
The sun rises-
And still the future plays tricks on me.